About the Programme
Since the formulation of the "visual history" and announced pictorial turn in humanities, pictures have enjoyed increased scrutiny. Often different approaches to visual history followed an operationally mixed attitude to studying the pictures of history (cultural history) and the historicity of images (art history). Today visual history is combined out of diverse disciplines, from history to art history, from communication and media studies to social and political studies.
However, the current turn to digitalization poses new challenges for visual history – it can confront images as a medium, to analyze the material dimension of traditional visuality (its mediality) and immateriality of digital pictures. In addition, images, which are disseminated through various media, cause informational overload, and require a new research agenda.
The workshop purpose is to analyze the relation between history, visuality, and academia with special concerns of the digital turn. It demands to combine the theoretical debates on digital history along with the educational experience. The workshop may suggest new research directions in visual history research, to familiarize the visualization research community with the problems faced by historians, and to foster future collaboration between fields such as vision (and visualization) and historical research.
We are interested in applications that can cover the following questions: How do we make use of images in an insightful way, and what history can learn from the new digital (visual) practices? Digital methods bring new applications and ways of dissemination. What are the lessons drawn from the new media? How do archives benefit from these applications? How institutions use digital historic projects in educational programs?
- **Visual Epistemology**: Defining basic concepts in digital and visual history. What do we mean by the term historic (digital) image? What are the limits? How does image change under digital turn?
- **Reading Images/Films**: How do we train people and historians to read images? How do we avoid the trap of overstatement while analyzing images? How the image turns from illustration to a problem? What do (digital) images want and which questions they ask?
- **VR and Games**: How digital applications and online projects change our imagination about the past? What are the benefits and difficulties in this new digital imaginary?
- **Storytelling**: How do we manage to turn image collections into narratives? What is the role of an archive in the dissemination of pictures? What are the practices to turn the collection into a story?
The organizers will cover travel to and accommodation in Lviv.
We invite researchers who work with images and foster to reveal unique stories that lie within historic pictures. We are looking for researchers of various professional backgrounds, such as historians, archivists, museum curators, photography specialists, and other relevant researchers are strongly encouraged to apply.
The Center for Urban History of East Central Europe was founded in 2004 as a private non-profit organisation. As an institute of historical scholarship, we seek to offer fresh intellectual impulses and help abandon dated questions and preconceived answers. By information and open discussion, we try to help prevent history from being abused for political ends. Through conferences, seminars and exhibitions we hope to promote scholarly and cultural exchange.
We offer young researchers additional opportunities to do advanced, internationally recognized work in their own country, seeking to reduce the "brain drain" emigration of qualified scholars. We strive to be a part of contemporary Lviv's urban society and public, open to diverse communities and in productive cooperation with public and cultural institutions. We want to contribute to Lviv becoming a central site for intellectual, academic and cultural life not only in Ukraine but in Europe.
A scholarship is available, click "Register" to find out more.